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MUSHANG VFX Lab Puts Virtual Production on Stage in Sydney

Video producer Henry Sha, operating one of the largest XR stages in the Sydney area, talks about building it up into a place where storytellers turn creative concepts into productions.

Production

MUSHANG VFX Lab Puts Virtual Production on Stage in Sydney

Production

Sony Crystal CAPRI Series Makes LED Displays More Affordable

Sony’s LED wall line-up now includes the new Crystal LED CAPRI series with 1,500 cd/m2 maximum brightness, 2.50mm pixel pitch, high refresh rates and a wide colour gamut.

Production

Blackmagic Cameras Capture Spatial Video for Documentary Storytelling

TARGO studio developed spatial image capture and unified post production workflows using Blackmagic equipment to produce their immersive documentaries for Apple Vision Pro.

Production

Leica Geosystems AI-Powered Cyclone 3DR Expands the Potential of LiDAR

Cyclone 3DR from Leica Geosystems deploys AI tools to automatically identify individual objects within LiDAR scans that users can edit and use to create their own 3D digital assets.

Production

Ross Delivers on Live, Remote and Real-time Graphics Services across APAC

Ross Video’s CSO Eric Gardner talks about the company’s services divisions, growing and diversifying across remote, live and graphics production, attracting interest in the APAC region.

Production

AJA BRIDGE LIVE Takes KPS Studios’ Live Remote Sports Production across India

Fully aware that IP and remote production are transforming live sports coverage, KPS Studios is refining its multi-camera IP and remote pipelines with AJA BRIDGE LIVE and openGear devices.

Production

Racing WA Delivers Scalable, Low-latency Race Coverage with GV AMPP and AWS

In partnership with LiveU, Corrivium, Lightning Visuals and Grass Valley, Racing WA delivers scalable, low-latency race coverage across Western Australia using AMPP and AWS.

Production

Broadcast Solutions Builds VEGO Mobile Editing Fly Pack on AJA I/O Gear

Broadcast Solutions built its VEGO portable baseband video editing kit using reliable AJA Io 4K Plus and Io X3 interfaces with audio level in the front, analogue audio I/O and Thunderbolt.

Production

Blackmagic Design Cameras and Gear Deliver a Cool Broadcast at Skiing World Cup

TV sports specialist Obvious C delivered a cinematic production for the skiing World Cup using Blackmagic cameras and gear, despite freezing temperatures and live integration challenges.

Production

Disguise Invests in Leader’s LPX500 Waveform Monitor for SDI / IP Compliance

Disguise purchased a new LeaderPhabrix LPX500 and other PHABRIX T&M solutions to validate the video outputs of Disguise’s hardware, and support operation of R&D automated test suites.

Production

AJA Opens Up Virtual Green Screen Production for Brands at Masterwork Films

Masterwork Films uses AJA gear to bring consistency and flexibility to branded storytelling, keeping workflows simple and opening options to help companies connect with audiences.

Production

Signiant Shows Camera-to-Any-Cloud Workflow at NAB 2025

At NAB Show 2025, Signiant demonstrated its Camera-to-Any-Cloud workflow using a live setup that involved real-time media transfers from a Blackmagic URSA Cine 12K camera.

Production

Viz Connect Audio Brings Functionality for NDI Audio Source Control

Vizrt has released Viz Connect Audio, a dedicated solution designed to manage audio sources within an NDI network. Viz Connect Audio is among the first standalone products available focused solely on audio connectivity for NDI workflows. It works with all audio formats as a…

Ikegami Integrates intoPIX JPEG XS into IPX-100 for IP Production

intoPIX and Ikegami have partnered to integrate JPEG XS compression into Ikegami’s IPX-100 IP gateway, to support modern SDI / IP broadcast…

MovieLabs Forms Industry Forum Leadership Council to Support Global Media Innovation

MovieLabs has announced the creation of the Leadership Council for its Industry Forum, a key initiative to guide the global implementation…

FOR-A Introduces Software-Defined Live Production Platform at NAB Show 2025

FOR-A will show FOR-A IMPULSE, a software-defined platform designed to streamline live video production at NAB Show.

Haivision Introduces Falkon X2 Mobile Video Transmitter for 5G Live Broadcasting

Haivision launches Falkon X2, a mobile 5G video transmitter for live broadcast quality and reliability.

Digital Nirvana and Avid Collaborate to Improve Media Production Workflows with Intelligent Metadata Integration

Digital Nirvana forms partnership with Avid to integrate AI-powered metadata capabilities into Avid's MAM. Digital Nirvana has entered into…

EVS IP Systems Power a Professional Esports Arena at Staffordshire University

The University has built a professional-grade esports production facility for students with opportunities for hands-on experience using…

NEP Denali Adopts Calrec's Argo Q to Expand and Modernise Audio Capacity

NEP Denali has installed a Calrec Argo Q console and ImPulse IP core in its remote production unit, doubling its audio capacity and…

Finding a Place for 'Here' in Light, VFX and Colour

DoP Don Burgess, VFX supervisor Kevin Baillie and colourist Maxine Gervais pulled their talents together to create a world for the…

Adobe Photoshop Tools Reach Mobile Users Across Devices and Browsers

Adobe’s new app accesses Photoshop's image editing and design functions such as layering and masking, and AI-based tools like Generative…

Twinmotion 25.1 Brings New Realism and Control to 3D Environment Renders

Twinmotion introduces volumetrics and more natural skies and fog to exterior environments, updates its Camera Animation tools, and adopts…

MRMC Motion Control Captures High-Speed Action Short with Precision

Rental house Brandlink in Thailand recently shot a fast-paced action short film that demonstrates the capabilities of its motion control…

Glass Animals Tour Earth on a Blackmagic Live Production Workflow

80six video production team deployed Blackmagic’s ATEM 2 M/E Constellation 4K for Glass Animals’ tour, delivering views to giant LED…

Sony Cameras Cover Super Bowl LIX for Broadcast, Streaming and Archives

FOX Sports, AP and Halftime Show producers will use over 240 Sony cameras, from compact Alphas to Cinema Line models, to capture Super Bowl…

EditShare Achieves SOC 2 Type II Certification for its Commitment to Data Security

EditShare has been awarded SOC 2 Type II certification, its first SOC 2 report following its merger with Shift Media, and validating its…

RTW TouchMonitor 5 Tunes Compact Audio Monitoring for Dante and RAVENNA

RTW has developed TouchMonitor 5 in two distinct versions, achieving full compatibility with either Dante or RAVENNA/AES67/ST 2110…

TASCAM IF-ST2110 Card Expands Live and Studio Mixing for Sonicview Consoles

TASCAM released a new IF-ST2110 Expansion card and 2.0 firmware for TASCAM Sonicview Mixing Consoles for live broadcast, concerts, studios,…

EVS Develops New Generative AI Replay Effects with XtraMotion 3.0

A new release of EVS XtraMotion enhances its creative capabilities with new deblurring and shallow depth of field replay effects, and…

Leostream’s New Privileged Remote Access Service Secures Resource Sharing

The Leostream Platform includes a new service and third-party status for managing and securing resources accessed by external contractors,…

Blue Lucy BLAM Manages Automated and Manual Tasks for Media Workflows

Blue Lucy's orchestration and media management platform, BLAM, now combines automated processes with human task management, and integrates…

Signiant Receives Majority Growth Investment from Battery Ventures

Signiant now has access to new funding to support continued expansion of its SaaS business as demand from streaming, large file…

Alliance for Open Media Welcomes Trinity College Dublin and THX

The Alliance for Open Media announces two new members that will contribute significantly to its efforts to meet the demand for open…

Brompton Illuminates a Sci-fi Journey at CUBE Studio for Afterglow Short Film

‘Afterglow’ was shot on CUBE Studio’s virtual stage while Brompton LED processing synchronised screen-to-camera interaction, for real-time…

Blackmagic Equips GMO WORLD STUDIO for Events, Broadcast and Streaming

GMO’s WORLD STUDIO, built with a 500-inch LED display, handles virtual production, events and streaming using URSA Broadcast G2, ATEM…

Fifty Frames Enlists AJA Gear to Control and Elevate Live Event Production

Christian Heinzel’s team at Fifty Frames use AJA Ki Pro Ultra 12G recorders, FS-HDR HDR/WCG converters and KUMO 3232-12G SDI routers to…

Mediaproxy Receives Dolby Approval for LogServer and Multiviewer

Mediaproxy is awarded approval for Dolby Digital Plus and Dolby AC-4 decoders, adding support for all Dolby codecs and Atmos immersive…

Moments Lab Delivers Public API for MXT Multimodal AI Indexing

Moments Lab’s new API enables engineers to natively integrate AI understanding of video with any software to generate humanlike…

Vislink DragonFly V 5G Miniature Transmitter Supports Portable Live Video Streaming

The new Vislink DragonFly V 5G bonded cellular miniature transmitter combines 5G connectivity with high-performance video streaming…

RecodeXR Selects Brompton LED Processing for Full Virtual Production Services

RecodeXR delivers turn-key services from their virtual production studio in Manchester, designing a precise, agile production for each…

Sony’s New DWM-30 Wireless Mic to Increase Stability, Flexibility, Codec Modes

Sony will launch a new handheld digital wireless microphone, the DWM-30, in early 2025, adding it to their existing DWX Digital Wireless…

Corbel 3D Accelerates Image File Transfers on Signiant Media Shuttle

Corbel 3D’s high volume of image data relies on efficient file transfers between Vancouver and Beijing teams and global clients, using…

SMPTE and Avid Publish New ST 2067-70 Standard for the VC-3 Codec in IMF

SMPTE has joined with Avid to publish a new standard for the VC-3 codec, Avid’s DNx family, in the IMF standard, Simplify Distribution of…

LiveU Studio Localises Live Worldwide Streams for EuroLeague Basketball

Skweek uses the LiveU Studio SaaS to stream EuroLeague Basketball events in France and Monaco to multiple platforms simultaneously, adding…

Mo-Sys’ James Uren Launches OpenTrackIO Protocol at SMPTE 2024 Summit

Mo-Sys' TD James Uren presented the new open-source camera tracking protocol OpenTrackIO at SMPTE’s Media Technology Summit, aiming to set…

Blackmagic Captures the Action and Look of Hiroshi Okuyama’s My Sunshine

Director Hiroshi Okuyama shot his film on the Pocket Cinema Camera 4K and worked with his colourist on DaVinci Resolve Studio in post to…

Vizrt’s TriCaster Gains Two New Models, Opens Up on AWS Marketplace

Vizrt is extending its line-up of TriCaster production switchers with TriCaster Vizion and TriCaster Mini S, and made two cloud-ready…

Adobe Launches Firefly Video Model, Ready for New Creative Cloud Applications

At Adobe MAX, Adobe added a new video model to its Firefly line of generative AI models, with Text- and Image-to-Video capabilities, and…

Avid and Wolftech to Mobilise Digital-First, Story-Driven Newsrooms

Avid has entered into a definitive agreement to acquire Wolftech Broadcast Solutions, a specialist in cloud-based multiplatform planning…

EVS LiveCeption and MediaInfra Upgrade TVN’s Outside Broadcast Capacity

TVN chose the EVS LiveCeption set-up for control, replays and highlights on board their new OB van, and adopted MediaInfra IP…

Support for Native Cloud-based Dante Audio Transmission Continues to Grow

Dante Connect SDK, facilitating expansion of broadcast audio production for cloud-based software vendors, is now supported by Calrec, LAMA,…

NIM Labs NIM 7.0 Visualises Production Scheduling for Studios

NIM 7.0 NIM Labs addresses the studio scheduling process with a new set of simple drag-and-drop tools that teams can use to assign people,…

Blackmagic Design ATEM Update Adds Visca PTZ Control and Audio Mapping

Blackmagic’s new update brings Visca over IP control for PTZ cameras for all ATEM Constellation models, audio mapping on HD models, and…

Colorfront Upgrades SDR/HDR Video Mastering and Streaming Workflows

Colorfront’s new tools support SDR/HDR conversion and colour fidelity workflows for cinema and TV mastering, plus streaming security, AI…

AJA and AWS Preview Virtual KONA for Software-Defined Video Capture/Playback

A new AJA SDK integration with AWS CDI will support virtualized video input/output capabilities for cloud-based creative, streaming and…

Creative Technology Adopts Imagine SNP Worldwide for Flexible IP Gateways

Creative Technology is creating a smooth transition from SDI to SMPTE ST 2110 IP for its production teams by deploying consistent Imagine’s…

WLab, Brompton and Pixreal Expand Virtual Production Opportunities for Film

XR Studio WLab is dedicated to expanding the use virtual production, opening opportunities for first-time virtual production filmmakers to…

Leostream and 10ZiG Join on Remote Access from Secure Managed Endpoints

Remote access developer Leostream and 10ZiG Technology, thin/zero client specialist for cloud and virtual desktops, have developed a joint…

AJA Io 4K Plus Adapts to New On-set Assist Workflows at Video Village Miami

Frank Collins at Video Village Miami talks about equipping his on-set video assist cart with the essential gear to log, capture, playback,…

Adobe Updates Illustrator and Photoshop Tools for Designers and Graphic Artists

Adobe develops further functionality based on its Firefly AI engine, plus updates for brand graphics, logos and icons, product packaging,…

Grass Valley and Diversified Sign Strategic Partnership Agreement

Grass Valley and Diversified agreed on a new, multimillion-dollar strategic partnership aimed to equip clients to thrive in an increasingly…

WRC Promoter Works with Moments Lab to Drive FIA Live Asset Archive

WRC Promoter adopted the Moments Lab Cloud Media Hub and Live Asset Manager, based on its MXT-1.5 multimodal AI indexing system to manage…

Trusted Partner Network on Taking a Best Practice Approach to Content Security

Crystal Pham from the Trusted Partner Network talks about how content owners use MPA Best Practices to gain complete visibility into…

Dejero Connects Sports Venues across UAE for Gulf Youth Games Live Stream

Dejero transmitter/receiver workflow kept Quality's remote multi-sport production running, covering 23 sports from multiple venues, in four…

Silver Trak Digital Builds a New Media Room for Nine Entertainment

Silver Trak helped Nine establish a secure branded portal to host, promote and control access to Nine’s video assets for media partners…

Bitcentral Fusion Gateway Enhances Media Asset Management with AI Integration

Bitcentral’s cloud-based Fusion Gateway helps to ease the adoption of artificial intelligence (AI) tools into media asset management (MAM)…

Blackmagic Live Workflows Capture Coachella and Stagecoach Music Festivals

Media Stream Wave supported the 2024 Coachella and Stagecoach music festivals, designing complex workflows with URSA G2 cameras and ATEM…

Movie People Deploys Sony Cameras, LEDs and Tools for Virtual Production

Sony and Movie People are building a new Virtual Production studio based on Crystal LED VERONA and VENICE cameras, opening many options to…

Dimension Works with AWS and Arch to Move Virtual Production to the Cloud

Virtual production studios Dimension will work with AWS and Arch Platform Technologies to scale the company's visualization, virtual…

Pixotope Integrates Unreal Motion Design, Updates Animation, Tracking, Colour

The new Pixotope 24.1.0 has many updates supporting virtual production workflows, including pipelines and tracking, plus a full integration…

Dark Slope Recieves $1.5m Virtual Production Investment from Relay Ventures

Virtual production studio and gaming company Dark Slope announced a $1.5M investment from Toronto based Relay Ventures in part to…

ZEISS Camera Tracking Supports a Wider Array of Cine and Broadcast Lenses

ZEISS CinCraft Scenario 2.0 adds pre-calibrated lens templates, the Lens Template Finetuner and CinCraft Export 1.0, increasing…

NEP Deploys Pixotope Remote Real Time Virtual Production at E1 Speedboat Series

Pixotope’s remote markerless through-the-lens camera tracking workflow reduced NEP’s on-site footprint and supported real time logistics…

Grass Valley AMPP SaaS Distributes Live Saudi Pro League Matches Globally

SPL Media House deploys the AMPP cloud Platform to produce and distribute match content for Saudi Pro League, streaming dynamic video…

LOGIC and Comprimato Partner to Simplify IP and Cloud-Based Production

LOGIC media systems architect and video processing specialist Comprimato have formed a partnership aiming to simplify workflows for IP- and…

Brompton and La Planète Rouge Collaborate on Immersive Sets for Feature Films

La Planète Rouge built a new virtual production studio with a custom LED volume and Brompton video processors specifically to serve as…

Veritone’s Ask Veri Extracts Fresh Insights from Data for Dynamic Workflows

Veritone’s Jennifer Goode talks about their generative AI media intelligence tool that opens conversational data exploration and…

Dimension Studio Announces Expansion With Key Executive Hires

Building on Dimension's launch of DNEG 360 alongside DNEG, the studio welcomes four new team members from diverse industries and…

Dejero GateWay Opens New Opportunities for Live Event Production at Stream7

Stream7 uses Dejero GateWay to set up independent internet connectivity at any venue or location, simplifying and lowering costs of…

Blackmagic Keeps Dream Street’s Live Streaming Workflow Ahead of the Game

Dream Street Productions video studio live streams virtual events supported by a Blackmagic workflow, including ATEM Television Studio HD8…

DNEG Launches New DNEG 360 Division with Partners Dimension Studio

DNEG 360 launches to deliver end-to-end pre-production, virtual production and development services, and two of the world's largest LED…

IMAX’s New Live Streaming Optimisation Tool Lowers Bitrate, Preserves Quality

StreamSmart On-Air uses IMAX’s VisionScience image processing algorithm to preserve the video quality of live content as far as possible,…

AJA ColorBox v2.1 Updates Support for New 4K/UHD and HDR Workflows

AJA ColorBox v2.1 simplifies 4K/UHD HDR work and supports teams taking on new workflows, and includes joint ACES certification with…

EVS Develops Strategic Technical Collaborations with Vizrt and Cinnafilm

NAB Show EVS extended its collaboration with Vizrt between the XT and XS servers and Viz Mosart automation, and newly integrated…

AJA ColorBox Unifies Looks for ProAV Live Events at Immersive Design Studios

AJA ColorBox helps to establish a uniform look for broadcasts comprising footage shot on multiple cameras, keeping viewers focussed on…

Adobe Firefly Adds Structure Reference Functionality for Creative Control

Adobe has updated their Firefly models with new Structure Reference functionality in the Text to Image module, applying the structure of an…

Box to Box Works with MediaSilo to Manage and Review Works in Progress

Documentatary producer Box to Box Films uses MediaSilo to distribute clips and completed content to collaborators, directly and securely,…

Riot Games Chooses Sony’s Networked Live for Distributed e-sports Production

Riot Games will soon produce e-sports with Sony’s Networked Live global production system, expanding use of Nevion’s VideoIPath for control…

Getty Images Opens New Access to BBC Content on VIDA’s MAM Platform

VIDA’s Symon Roue talks about Getty Images and BBC Studios new platform for online access to BBC’s programme archive, combining clients’…

Stage Sound Services Brings Brompton Colour and INFiLED Screens to Live Theatre

SSS uses Brompton LED processing and INFiLED LED panels for theatre and live events, chosen for their straightforward software and accurate…

Ultimatte 12 4K Accelerates Green Screen Virtual Productions at CoPilotXR

CoPilotXR uses Blackmagic Ultimatte 12 4K to perform real time green replacements on set during virtual productions, avoiding editing and…

AuviTran’s AxC-AES67 Card Bridges Interoperability Issues at Millenium Centre

AuviTran’s new AxC-AES67 card is part of their Audio ToolBox suite with expanded AES67 audio bridging and interconnections, successfully…

Fuse Technical Group Delivers ST 2110 Workflows with Matrox at Sphere Las Vegas

The Fuse team worked with Matrox gear to quickly learn ST 2110 signal routing and orchestration, video conversion and remote control…

QTAKE Pro 2.2 Adds On-set Dolby Vision and Forensic Watermarking Workflows

IN2CORE’s QTAKE Pro 2.2 video assist tool includes a new Dolby Vision workflow with iCMU Output support and new playback modes, and…

Brompton, Absen and STS Bring LED Processing for Virtual Production to Life

STS is a of Virtual Production pioneer in Italy, using Absen LED panels and vivid, natural colours from Brompton 4K Tessera SX40 LED…

Cinegy Capture Supports Flexible, Multi-Channel Ingest at Notre Dame Studios

Notre Dame Studios uses Cinegy Capture PRO for fast turnaround of sports highlights and studio recording, ingesting multiple channels of…

Projective and LucidLink's Integration Enables Cloud Post-Production at Scale

Multiple users can manage projects together at scale through Strawberry’s content management system, from anywhere with flexibility,…

Foundry Flix 7.0 Improves Team Collaboration and Workflow Customisation

Foundry Flix v7.0 brings functionality to help cross-discipline teams on a project to collaborate on story development, a new integration…

Flanders Scientific XMP310 Monitor Supports SDR/HDR Set-to-Post Production

Flanders Scientific’s new UHD 31.5in XMP310 QD-OLED reference display for HDR and SDR achieves 1,000 nits brightness, 1.5 million:1…

AMPAS to Honour Scientific and Technical Achievements with Academy Awards

The Academy of Motion Picture Arts and Sciences announced 16 scientific and technical achievements to be honoured at its annual ceremony on…

Arcturus’ New Codec Scales Volumetric Video Data for Real-time Playback

Arcturus developed a new codec that transfers lightweight, scalable volumetric video into game engines, allowing real-time render and play…

dock10 and University of York Join on AI Research Project for Virtual Studios

UK television facility dock10 is working with University of York on a research project to explore how AI can help simulate realistic light…

Blackmagic Cameras and ATEM Keep Sarah Renae Clark’s Channels Streaming

Blackmagic 6K cameras, an ATEM Television Studio HD8 ISO, DaVinci Resolve Studio post software form the streaming workflow for Sarah’s…

DIT Kevin Shiramizu Bridges the Worlds of On-Set Production and Post

DIT Kevin Shiramizu talks about his life on-set, liaising between production and post, and how he uses AJA routing and conversion gear to…

Brompton LED Video Processing Joins Melbourne’s Now or Never Festival

Novatech designed an LED/processor configuration to display high-res content created by festival performers, based on transparent ROE LEDs…

Atomos Ninja Records the Thin Green Line Expedition in Cinema-Quality Video

Thin Green Line’s Amanda Dudgeon recorded her fellow rangers in action on a journey round Australia, using the Panasonic LUMIX S5…

TAG Integrates DreamCatcher for Agile, Accurate Replay Creation

TAG now supports Evertz DreamCatcher replay system, allowing operators to integrate data more effectively, enhance functionality, and…

Blackmagic Pocket Cinema Cameras Get Musashino Students Production-Ready

Musashino Art University uses Blackmagic Pocket Cinema Camera 6K Pro, DaVinci Resolve Studio post software and Blackmagic Cloud in its…

LucidLink Expands its User Experience with Multi-Filespace Connect

LucidLink’s new feature called Multi-Filespace Connect now makes it possible for users to connect to multiple Filespaces, simultaneously…

Katara Studios Looks Ahead with 8K Studio Upgrade

Katara Studios’ Thahasin Kasim in Doha, who recently led an upgrade preparing for 8K and higher resolution workflows, talks about media…

Pixomondo to Manage and Operate SPE’s LED Virtual Production Stage

Pixomondo will assume operation and management of Sony Pictures Entertainment’s first LED virtual production stage, built on the historic…

Blackmagic URSA and Pocket Cinema Cameras Capture New 'Beyond Belief’ Series 6

1990s sci-fi mystery series returns to TV, shot on URSA Mini Pro 12K and Pocket Camera 6K Pro cameras, using Blackmagic tools from LUT…